Mosha Eurorack Modules #10: I/O Module (Head phone output and MIDI input)

 

The I/O Module is a 6 HP module that provides some input and output facilities. The black knob is a double potentiometer that controls the left and the right channels. If a cable is plugged into the gold jack it will be either the left channel or both channels, and a cable plugged into the purple jack will be the right channel. The output is a TRS jack with the black dial controlling the volume. It uses two NE5532 OPAMP, one for each channel. The input voltage is divided by 5 using a resistor network. Because a dual voltage system is used, there is no output capacitor to normal the voltage.

The bottom six jacks are all MIDI related. The MIDI input is fed to the board from the rear of the box using a special conversion circuit (shown below. The 10k resistor in this circuit is essential and occasionally missing in online versions of this circuit). The optocoupler prevents ground loops through the MIDI cable and is required by the MIDI protocol for receiving data. There are two headers on the module, one to provide power to this circuit and one to transfer the MIDI signal to the PIC16F690 that is used to convert the MIDI.

The PIC16F690 was chosen because it has an USART (for MIDI) an analog input and a PWM that can be used as an analog output, and it can be programmed by the PICkit 2. The MIDI outputs are, in order: CV out for MIDI notes played on channel 4. The gate signal of these MIDI notes. The clock signal of the MIDI, and three drums from channel 10. The source code for the MIDI is available here.

To ensure a quick response to frequency changes the PIC16F690 is running at 20Mhz, which also allows 10-bit accuracy. There's a two pole active filter to prevent the PWM signal from interfering with the output, and a small trim potentiometer that allows setting the output voltage from 1x to 2.1x (10k with 9.1k non-inverting OPAMP, which may not be enough).

Mosha Eurorack Modules #9: Double Mixer

 

The double mixer is a 6 HP module that, as the name implies, has two mixers: a golden one and a purple one. As usual, round jacks are inputs, and hexagonal ones are outputs. The golden mixer has two inputs, one that can be attenuated and one that is fixed. It also has one non-inverting output. The circuit is basically an inverting OPAMP for the mix part, and a second OPAMP to invert the signal again. The jack has +5V by default, so the mixer can be used to provide a 0V to 5V signal if it isn't used for anything else.

The purple mixer has all the features of the golden mixer, but in addition it has a third input so it can mix three signals together, and it has an output at the inverted stage. This means it can be used to provide both a 0V to 5V signal and a 0V to -5V signal if no other signals are mixed. It can be combined with the golden mixer for a 0V to 10V and a 0V to -10V signal, if desired.

Schematic of the Decay and the Metallic oscillator

 Turns out I had a schematic made of the decay, which is included here:

As well as one of the metallic oscillator, which is here:

Mosha Eurorack Modules #8: Drum Module

 

The Drum Module is a 6 HP module with 4 different sound generators. The silver knob is for metallic sounds, with 5 separate oscillators. The knob controls both the decay (middle is highest decay) and filter (right is highest filter) of the sound. Each time a cable is plugged into the jack it will randomize the oscillator values, so the sound can be changed by replugging the cable.

The black knob is for a noise generator adding short bits of noise to other drums. Again the knob controls both decay and filter. The two gold knobs are for the two tom drums. The knobs control the pitch, whereas the purple knob controls the decay of the two toms (making one shorter makes the other longer). There is one output jack at the bottom, and four trigger jacks above it.

The circuits for each of the drums are different. The silver knob uses a PIC10F206 to generate the sound (source code). One of the pins of the PIC10F206 powers an one-transistor inverter with a capacitor, which allows a very clean decay to occur. This is then pushed through a TL074 OPAMP for both filtering and buffering, and then moved to a final inverting amplifier that sums the signals of the four drums with a 100k Ohm input. Since the metallic sounds can be quite loud there's also a trim potentiometer to adjust the level.

The black knob uses the standard noise circuit of the beat box instructable. There is a separate OPAMP to amplify the result. The decay is done using a JFET with a circuit from squarewav. This is not the best circuit, even with careful selection of resistors the decay is cut off rather early.

The tom drums are based on the simple twin T-drum design from Krakenpine. It was simplified even more by removing the tone and distortion parts and not massaging the input signal (because it will always come from the drum sequencer).

Mosha Eurorack Modules #7: Drum Sequencer

 

The drum sequencer is a 6 HP module that sequences drums. It was intended for the drum module, but could be used for anything that needs a fixed pattern of gates over a 15 or 16 step period. There are 8 outputs, each with a different rhythm. There are lights behind the jacks that show the pattern before a cable is plugged in. This makes it clear which plug is which pattern, but avoids additional power use while the pattern is used.

The patterns themselves are chosen using a switch. In the middle position it will use the standard 16 beat patterns. In the down position it will use the standard 15 beat patterns. In the up position it will randomize the patterns once, and then use the randomized patterns. This pattern is stored in memory, so after a restart the pattern will remain the same.

There is one input, which is the clock. This determines the speed at which the beats happen. Beats can happen on clock up and on clock down, which means that the outputs can be twice as fast as the inputs when needed.

There is an ICSP connector at the back that allows the rhythms to be changed. The circuit is exceptionally simple: it is a 16F684 and all gates are connected using a 1k resistor. It therefore relies on the diodes in the PIC16F684 to prevent damage, but this generally isn't a problem.

The source code is available here.

Mosha Eurorack Modules #6: VCF

The VCF is a 6 HP module that has an LM13700 based filter using a mixture of designs by Look Mum No Computer, Réne Schmitz and Moritz Klein. It is nearly 1V/oct, but not quite, but the voltage control circuit is simpler than most. There is a -12V to 12V offset that can be added manually to the CV input, and a separate knob for resonance. There are two inputs. The entire VCF part is using the gold colors, the purple colors are a separate filter that isn't voltage controlled, but uses a two-colored LED for a more gritty response in the feedback loop. It also uses 10nF instead of 1nF capacitors.

A full circuit diagram is included in this blog post, however, this may not exactly match the built version and there may be errors in it. Although multiple circuits suggest to use the buffers internal to the LM13700 there is some trouble making sure that they are offset correctly, and it is therefore easier to use the TL074. This also provides a cleaner sound. 

Mosha Eurorack Modules #5: VCO

 

The VCO is a 6 HP module that has a CEM3340 based design. The first input is the linear FM input. The gold input is the 1V/oct (which can be controlled with the golden knob). The third input is the soft sync. The purple input is the PWM modulation, which can be attenuated with the bottom knob and separately controlled with the middle knob. From top to bottom the outputs are the sawtooth wave, the pulse wave and the triangle wave. The sawtooth wave is at 10Vpp the other waves are louder and softer (they are buffered, but not amplified copies from the original CEM3340 output).

The design of this is a mix. It uses the basic and advanced schematics from Look Mum No Computer, the variety of schematics on the electric druid site, and the schematic from Non-Linear-Circuits.

As you can see, there is only one input (which may have been a mistake) there is no high frequency tracking. When in doubt, the design choses the simplest solution, however, the FM input and sync input were kept.